Ryan and Min-Gi are both flawed, but the show only ever criticizes Min-Gi’s anxious realism while never wrestling with how dangerously unrealistic Ryan’s aspirations of fame actually are. In contrast, Ryan and Min-Gi’s relationship is never explored to its fullest extent. Much of the character work in previous seasons was tied to the tension and so was always developed by the end. The tension has nothing to do with the main pair and is quickly wrapped up with a round of apologies in the final episode. In season four, the tension comes from the band of angry denizens from other cars who are chasing the group because Kez’s scatterbrained ways slighted them in the past. In previous seasons, there was always some secondary tension to spur the story along. In addition, this is the only season where you can feel the narrative squeezing against the standard 11-minute runtime. Season four is just the characters going on their journey, working out their problems and going home, which comes off as a rather piddling finale considering the emotional sledgehammer that was season three. It’s all very standard for “Infinity Train,” which is a problem considering how all the previous seasons were escalations of the previous entries, providing new twists, new passenger dynamics and new mysteries. There, they team up with the lackadaisical flying concierge bell Kez (Minty Lewis) and begin making their way through the cars in order to work through their relationship. The pair’s conflicting dreams and refusal to take responsibility for each other’s feelings get them teleported onto the transdimensional therapy-or-die express. The story follows best friends Ryan (Sekai Murashige) and Min-Gi (Johnny Young), a reckless free spirit and sober realist. “Infinity Train” season four is not bad, but as a final note to conclude one of the most unique and captivating cartoons of the last decade, it’s a kazoo solo at the end of a symphony. The world is dark, and the stars are blinking out one by one. But the higher-ups at Cartoon Network curled their lips and decided “there’s no entry point for children in this show.” So, despite Owen Dennis’s eight-season plan, Infinity Train was canceled with its fourth and final season. It was an unapologetically tragic season and the series’s best. The third season is where the show really stretched its wings in this respect, and we watched a couple characters make very permanent exits. Characters dealt with guilt, grief, fear and failure on their journeys, and when the show wanted to be dark, it became pitch black. And most importantly, despite its whimsical nature, “Infinity Train” was never afraid to get very real. Or they die.Įach season of the show presented us with new imaginative worlds, new passengers to watch grow and new mysteries to agonize over. Passengers would travel car to car, their experiences slowly working them through their personal problems until they experience a final emotional revelation and are allowed to exit the train. One car could be a giant crossword game, another could be a dance competition run by octopi, another could be a wasteland full of Kaiju. ![]() Each train car contained its own unique pocket universe complete with puzzles to solve, challenges to face and kooky characters to meet. The show revolved around an otherworldly train of endless cars that unsuspecting people get teleported to when they are faced with an emotional crossroads in their lives. “Infinity Train” was an animated anthology series created by Owen Dennis, which aired on Cartoon Network.
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